Steel Wool

I love aggressive music.

At a glance, I realize that sounds juvenile. A real adult is supposed to like classy music, music that’s inoffensive and palatable, music that comes in vinyl records at Walmart and Target and wherever. Taylor Swift if you’re a girl, Drake if you’re a guy. Or something like that, I don’t listen to Top 40. I only found out that songs were grouped into albums only a few years ago, after all, designed to be consumed in an ordered sequence instead of piecemeal and at the mercy of the algorithm of whatever website you’re on.

In a lot of ways, I think my consumption of music, particularly at my lowest point, reflects my consumption of alcohol - continuously trying to seek a stronger and more impactful hit, one that will take me away from my present situation to a greater degree before the high of listening to it for the first five or so times wear off. I like music based on the way it “scratches” my brain. There’s quote I really like from Wired:

“If talking about music is, as someone once said, like dancing about architecture, then talking about color is like doing a trapeze act in zero-g on a space station.”

Talking about music = dancing about architecture? Absolutely. I wish I could explain why I listen to the same songs over and over and over again, why the swanky percussive thumps of Destroyer from the Finals OST or the incomprehensible screeching of Afourteen in imgonnarelapsesoon! tickle my brain the way they do, even though the former has no lyrics at all and the latter might as well. I wish I could explain why I press my phone’s speaker up against my eardrum before I hop into the shower to wash away the day in hot water, vaguely aware that I’m facilitating a crippling phone addiction and yet unable to pull away from the song of the day/week/month/whatever. I wish I could explain why I have an “AMV” YouTube playlist, where certain songs trigger the same imaginary animated music video to go through my head over and over again every time I listen. And yet I can’t.

I remember talking to my friend Nathan at the beginning of cross country practice one day, and he was talking about how excited he was for a new album from one his favorite artists, and I responded with something along the lines of “eh, to me music is like a flavor of ice cream - if I see a new one at the grocery store, I’ll be happy, but it’s not something I have to have.” Similarly, I remember my friend Lucas asking me what type of music I listened to - also during cross country practice - followed by his blank expression as I replied with something along the lines of “the type of music doesn’t really matter, it’s more about how it makes me feel.” Later, when the question popped up again, I had enough social awareness to respond with “Eminem,” producing approving glances and murmurs from my teammates. But this is a lie, claiming that I’m beholden to a particular artist - even after hours of listening to popular, “essential” albums during my drives to and from college (The Dark Side of the Moon, Nevermind, Weezer (Blue Album), among others) - I still haven’t found an artist to worship. Even after finding some artists that I like more than others - Interpol, mainly - I still hesitate to hit the “play” button on songs that I haven’t heard from them, worried that I’ll be disappointed. Why fix something that isn’t broken? Why risk wasting a minute of my life?

At my lowest points, when my mind is liberated by alcohol, free to short circuit to the inevitable conclusion that life is meaningless, as it’s currently doing now, my view of music as a tool, rather than an experience, reaches a feverish pitch, and I sink back into my Steelcase Leap, listening to the likes of Lil Darkie and Nascar Aloe and Lil Toe, wanting the laughably bad lyrics and in-your-face instrumental to rub away my essence, like steel wool scrubbing a pot, rubbing away the filth that’s accumulated on the exterior even if it damages the material underneath. To say nothing of the volume with which I listen to music - a steady 44 on my laptop has crept up to 50 in the past year, reaching as high as 60 with songs that I’ve listened to a lot previously, as though the higher volume will reveal something new, something undiscovered - I don’t know where this habit will take me. Maybe it’s a byproduct of my nomophobia, of my general Internet addiction, but encountering music that rubs my brain in a pleasing way is getting harder and harder to find, especially now that I no longer can subscribe to Spotify Premium or YouTube Music at a student discount. YouTube recommends the same songs, over and over, and I’m scared to try others.

Ah, well. Back to pure silence, now that I’ve reached the end of this entry and the metallic pings of my cheap wireless keyboard can no longer fill the air. Only an hour and a half to kill before the oblivion of sleep.